A gallery talk featuring Yuna Yagi, Eriko Kimura (Curator, Yokohama Museum of Art), and Shintaro Sumimoto (Independent Curator) will be held on the first day of the exhibition. *Japanese only
Yuna Yagi Solo Exhibition, Visual/Cognition/Polarity/Universality
Dates| April 29 (Fri) to May 28 (Sat), 2022
* Closed on Sundays & Mondays (Open throughout Golden Week)
Venue| √K Contemporary
Admission| Free
Organizer| √K Contemporary
Cooperation| FLAT LABO
|On the Exhibition|
The exhibition presents early to latest works from the artist’s career.
Marking its debut, Yagi’s latest series presents various abstractions of sand dunes. Printed on acrylic and steel, the series seeks to refine the notion of a photograph. As the light reflects through the translucent acrylic blocks of the work, the work begins to alter alongside the viewer and their shifting viewpoint(s). As if looking through a lens, the viewer is offered a range of sights; from one of limitation to that of great depth, and that of nothingness. Drawing attention to the relationship between light and human vision, Yagi’s works reveal the biased and constructed nature of “vision”.
In the face of the pandemic, Yagi traveled to the vast lands of sand dunes in search of nature Through this, she formed a perspective through her vision and viewfinder. Manifesting these subjective “misalignment(s)”, these works reveal the incongruities of vision and compel viewers to reflect upon their own experiences and perceptions.
What is “it” that I actually see, how is “it” captured by “vision” and “cognition”, and how can this information be both “biased” yet exist intrinsically within us? Perhaps the “things” one recognizes can alter with their state of mind.
As the physical process of “seeing” and “perceiving” undergoes continual changes in an increasingly digitalized society, these works compel us to reconsider the meaning of “existence” in the realm of human experience.
|Artist Statement|
Visual/Cognition/Polarity/Universality
The act of “seeing” involves the process of obtaining visual information and the sensual recognition of said information. The process of “seeing” also maintains the paradox of two biases.
The first bias regards the personal, cognitive bias of how “real” visual information is recognized, occasionally corrected in the brain, and idealized from reality. In other words, vision consists of the cognitive process of focusing on details, a biased perception, and an obscured generalized focus.
The second regards the relativity bias of whether we recognize the same visual information from reality in the same way as others. This goes beyond the subjective questions of shared experiences and addresses the interpersonal, phenomenological notion of whether we feel and see the same thing. One could say that the biased conviction of what is subjectively perceived and the conviction that many people perceive the same thing are two noncontradictory notions.
In June 2020, shortly after the state of emergency was lifted, I visited the sand dunes in search of nature.
There, I saw a vast, sand-filled landscape with a horizon so deep, it briefly resembled a mirage. Looking further, I could see the border (horizon) between the sky and sea, which never seemed to touch. On the ground, I was able to trace high-resolution fragments of natural landscapes through the traces of the wind and the wave particles made visible by the sand. The difference between the vast landscape before me and the limited details of the (camera) viewfinder causes optical/visual shifts. Reinterpreted by the mind, the beauty of the sand dunes surpassed reality.
Occasionally, when you look at something, you might experience a sensation that goes beyond what is perceived. Sometimes “things” become idealized within us through visuals/cognition. However, we simultaneously maintain the conviction that we view the same “things” as others. Aren’t these notions of Visual/Cognition/Polarity/Universality equivalent to ideas of mind/belief?
In this current situation where varying emotions and beliefs are divided by events such as the Covid-19 pandemic and the Russia-Ukraine War, I want to demonstrate that there is a possibility to “see” the same “things” in spite of the overarching existence of Visual/Cognition/Polarity/Universality.
― Yuna Yagi
IMAGES
ARTISTS
From New York to Canada, Berlin, and now, Kyoto, the Parsons NY graduate and artist, Yuna Yagi has spanned the globe throughout her career. With a focus on the “experience” of seeing, Yagi strives for the truth of things via her multi-faceted production. She is best known for her two-dimensional and three-dimensional works and installations, which appeal to the senses, and use of a variety of materials.
Yagi’s wide and diverse production spans from the creation of It’s One World (2015), a three-dimensional series of works that presents photos bound in acrylic blocks, to Collapsing World (2016), which applies algorithms to photographs to produce distorted images. Further highlights include Space For Prayer (2017), which considers the Japanese view of life and death through funeral halls in Japan, and BLANC / BLACK (2019) a series centered upon ideas of light and shadow. In 2018, she held a solo exhibition NOWHERE at the Pola Museum Annex Ginza. In 2016, Yagi was awarded the Hasselblad Award at the “KYOTOGRAPHIE Kyoto International Photography Festival” Portfolio Review and in 2017 she was invited to participate at the Paris International Contemporary Photography Art Fair, FOTOFEVER and, in 2019, was nominated for the Eberhaard Awards. In the same year, Yagi was awarded the BIG EMOTIONS AWARDS for her exhibition and production of Okurayama Studio with the designer Teruhiro Yanagihara at DESIGNART 2019.
Selected Awards:
2019 FOTOFEVER Paris, Eberhaard Awards, Nomination.
2019 DESIGNART 2019, BIG EMOTIONS AWARDS.
2019 Higashikawa New Photographer Awards, Nomination.
2017 FOTOFEVER Paris, Invited Artist.
2016 Kyotographie Portfolio Review, Hasselbrad Prize, Grand Prix.
Public Collections:
21st Century Museum of Contemporary Art, Kanazawa (Japan), The Reign Hotel Kyoto (Japan)
Artist Website|https://yunayagi.com/
IG|@yunayagi FB|@artistYUNAYAGI TW|@ yagi_me_me_
From New York to Canada, Berlin, and now, Kyoto, the Parsons NY graduate and artist, Yuna Yagi has spanned the globe throughout her career. With a focus on the “experience” of seeing, Yagi strives for the truth of things via her multi-faceted production. She is best known for her two-dimensional and three-dimensional works and installations, which appeal to the senses, and use of a variety of materials.
Yagi’s wide and diverse production spans from the creation of It’s One World (2015), a three-dimensional series of works that presents photos bound in acrylic blocks, to Collapsing World (2016), which applies algorithms to photographs to produce distorted images. Further highlights include Space For Prayer (2017), which considers the Japanese view of life and death through funeral halls in Japan, and BLANC / BLACK (2019) a series centered upon ideas of light and shadow. In 2018, she held a solo exhibition NOWHERE at the Pola Museum Annex Ginza. In 2016, Yagi was awarded the Hasselblad Award at the “KYOTOGRAPHIE Kyoto International Photography Festival” Portfolio Review and in 2017 she was invited to participate at the Paris International Contemporary Photography Art Fair, FOTOFEVER and, in 2019, was nominated for the Eberhaard Awards. In the same year, Yagi was awarded the BIG EMOTIONS AWARDS for her exhibition and production of Okurayama Studio with the designer Teruhiro Yanagihara at DESIGNART 2019.
Selected Awards:
2019 FOTOFEVER Paris, Eberhaard Awards, Nomination.
2019 DESIGNART 2019, BIG EMOTIONS AWARDS.
2019 Higashikawa New Photographer Awards, Nomination.
2017 FOTOFEVER Paris, Invited Artist.
2016 Kyotographie Portfolio Review, Hasselbrad Prize, Grand Prix.
Public Collections:
21st Century Museum of Contemporary Art, Kanazawa (Japan), The Reign Hotel Kyoto (Japan)
Artist Website|https://yunayagi.com/
IG|@yunayagi FB|@artistYUNAYAGI TW|@ yagi_me_me_
EVENT
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2022.04.29Yuna Yagi x Eriko Kimura Gallery Talk2022.04.29 (fri)
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2022.05.03Yuna Yagi Gallery Tour
An artist-led gallery tour will be held on May 3 (Tue).
Join Yuna Yagi as she talks you through her works and the exhibition.
Reservations are not required, so please feel free to pop by any of the times below.
May 3, 2022 (Tue) 2pm, 3pm and 4pm
Duration Approximately 30 to 40 minutes
2022.5.3 (Tue) 2pm, 3pm and 4pm -
2022.05.26Art Meditation|Toryo Ito x Yuna Yagi
Through this guided meditation, the Zen master and deputy head priest of Ryosoku-in temple, Toryo Ito will lead participants through a "Hoko Zen" (lit: walking meditation) in the exhibition space.
What new ideas, feelings, and thoughts might you encounter in your meditative states? Following the session, you may notice new states of perception and consciousness.
Please mind that the event will mainly be in Japanese.
Admission|2000 yen2022.5.26 (thurs) 5:30pm to 7pm